![\"\"](\"https:\/\/www.design.ntnu.edu.tw\/wp-content\/uploads\/FACULTY_040_01.jpg\")
<\/figure>\n<\/div>\n\n\n\nyiwentseng@ntnu.edu.tw<\/strong> Education<\/strong> Academic and Professional Experience<\/strong> Artistic Residencies<\/strong> Curatorial Projects Publications<\/strong> Selected Awards<\/strong> Selected Academic Publications<\/strong> Design Exhibitions<\/strong> <\/p>\n<\/div>\n<\/div>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" Assistant Professor\uff08Contract\uff09 yiwentseng@ntnu.edu.twPro […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"left-sidebar","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"sidebar-2","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[157,159],"tags":[],"class_list":["post-15956","post","type-post","status-publish","format-standard","hentry","category-faculty","category-full-time","entry"],"_links":{"self":[{"href":"https:\/\/www.design.ntnu.edu.tw\/index.php?rest_route=\/wp\/v2\/posts\/15956","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.design.ntnu.edu.tw\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.design.ntnu.edu.tw\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.design.ntnu.edu.tw\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.design.ntnu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15956"}],"version-history":[{"count":9,"href":"https:\/\/www.design.ntnu.edu.tw\/index.php?rest_route=\/wp\/v2\/posts\/15956\/revisions"}],"predecessor-version":[{"id":17924,"href":"https:\/\/www.design.ntnu.edu.tw\/index.php?rest_route=\/wp\/v2\/posts\/15956\/revisions\/17924"}],"wp:attachment":[{"href":"https:\/\/www.design.ntnu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15956"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.design.ntnu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15956"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.design.ntnu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15956"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Product Design, Speculative Design, Discursive Design, Design Futures and Fiction, Techno-Art, Cultural Narratives, Contemporary Art and Curatorial Practice<\/p>\n<\/div>\n\n\n\n
2017\u20132022\uff5cPh.D. in Design Theory and Practice, China Academy of Art
2013\u20132015\uff5cMA in Design Interactions, Royal College of Art (UK)
2008\u20132012\uff5cBA in Product Design, China Central Academy of Fine Arts<\/p>\n\n\n\n
2024\u20132025\uff5cPart-time Assistant Professor, Department of Architecture, Shih Chien University (Taipei)
2024\u20132025\uff5cPart-time Assistant Professor, Department of Interaction Design, National Taipei University of Technology
2023\u20132025\uff5cVisiting Associate Professor, Foundation Course in Speculative (Critical) Design, China Central Academy of Fine Arts (Beijing)
2023\u20132024\uff5cPart-time Lecturer, Department of Education and Future Design, Tamkang University (Taipei)
2017\u20132022\uff5cVisiting Lecturer, Core Speculative (Critical) Design Course & Product Design Program, China Central Academy of Fine Arts (Beijing)
2019\u20132020\uff5cVisiting Lecturer, Object Design and Game Course, China Academy of Art (Hangzhou)<\/p>\n\n\n\n
2025\uff5cSelected Artist\/Designer, ACC Gwangju Creators Program (Korea)
2024\uff5cArtist\/Designer-in-residence, Silsangsa Temple Residency, Jirisan (Korea)
2023\uff5cArtist\/Designer-in-residence, C-Lab Creators Plan, Taiwan Contemporary Culture Lab (Taipei)<\/p>\n\n\n\n
<\/strong>2023\uff5cX-Site Pavilion: House Party, shortlisted by the Taipei Fine Arts Museum Annual Proposal (Taipei)
2022\uff5cPanel Curator, Dadaocheng International Art Festival, featuring 50 speakers in a Pop-up Talk Series on Speculative Design (Taipei)
2021\uff5cFinalist (Top 6), Hyundai Blue Prize Curatorial Award (Beijing)<\/p>\n\n\n\n
2024\uff5cCo-author, Annual Report on Science Fiction Development: Chapter on Sci-Fi Art and Design Practices (Published by the World Science Fiction Convention Editorial Team)
2023\uff5cCo-author, Future Studies: Chapter on Cross-disciplinary Practice in Art and Design Futures<\/p>\n\n\n\n
2025\uff5cParadise Festival, Seoul, Korea
2025\uff5cACC Techno-Art Exhibition
2023\uff5cInvited Speaker, World Science Fiction Convention (Chengdu), Panel: Tangible Fictions: Sci-Fi in Art, Design, and Public Spaces
2015\uff5cNominee, Fast Company Innovation by Design Awards \u2013 Speculative Design Category (USA)
2014\uff5cRed Dot Concept Design Award
2012\uff5cDouble Excellence Awards, Tian He Cup Youth Design Competition (China)<\/p>\n\n\n\n
2025\uff5c\u201cDesigning a Myth for Living on the Moon: Speculative Design and Cultural Heritage,\u201d presented at ISEA International Symposium on Electronic Art 2024 (Seoul, Korea)
2025\uff5c\u201cThe Future from the Past: A Practical Study of Backward Speculative Design and Human-Computer Interaction (HCI) Based on Chinese Traditional Culture,\u201d presented at ISEA 2025 (Seoul, Korea)
2023\uff5c\u201cLove Behind Curtain: Eastern Speculative Design in Practice and Research,\u201d in CUMULUS 2023: Narratives of Love Conference Proceedings (Beijing, China)
2022\uff5c\u201cPreliminary Exploration of East Asian Speculative Design Rooted in Chinese Culture,\u201d in iPress Design Journal (Shih Chien University, Taiwan)
2021\uff5c\u201cSpeculating Backward: How Did Speculative Design Enter East Asia?\u201d in The Journal of the Asian Conference of Design History and Theory (ACDHT) (Osaka, Japan)<\/p>\n\n\n\n
2023\uff5cCUMULUS Academic Joint Exhibition, China Central Academy of Fine Arts (Beijing, China)
2023\uff5cArtist-in-Residence Exhibition, Taiwan Contemporary Culture Lab (C-Lab, Taipei, Taiwan)
2022\uff5cGraduation Showcase, Zhejiang Art Museum (China)
2019\uff5cNational Art Exhibition, Guangdong Museum of Art (China)
2018\uff5cVisual Cities Design Exhibition (Spain)
2018\uff5cGallery Showcase, New York Design Week (USA)
2015\uff5cSustain RCA, London Design Week (UK)
2013\uff5cFORMOSA Exhibition, London Design Week (UK)<\/p>\n\n\n\n